![]() ![]() Also on the front is a button for applying the 48 volts of phantom power required by a typical condenser microphone, together with a red status LED. The second is an XLR input for use with microphones, flanked by its own signal-input adjuster. The first of these is a headphone output, accompanied by its own level-control knob. Situated on the front of the device are all the adjustment controls required for normal operation, plus a couple of sockets catering for the items Phonic expect to be most regularly connected. Measuring less than 200mm across, the Firefly is smaller than the advertised half-rack size, and is designed to sit unobtrusively on a desk beside a laptop or monitor. So, what do you get for your £99? Hardware Features The Firefly 302 has been priced so that even with VAT added its RRP comes in at just under the magic £100 mark. Although it only outputs two channels at a time, the 302 can simultaneously record up to five channels when its three analogue inputs are used alongside the stereo S/PDIF input. The Firefly's bit rate is actually fixed at 24, but sampling can be switched from 44.1kHz to 48, 88.2 and 96kHz. ![]() ![]() The latest Firewire product from Phonic is a compact desktop audio and MIDI interface aimed at those musicians who do not need to record huge ensembles, but still want the chance to use high bit and sample rates. Phonic's diminutive Firewire audio interface is extremely affordable and it can record at 24-bit/96kHz.
0 Comments
Leave a Reply. |